Léman's design is inspired by the grotesque type styles found in the mid 19th through early 20th century in Germany, England, and the US. The font family is available in seven optical sizes, drawing a bridge between between Bauer's Breite Grotesk at text (8pt) sizes, and Berthold's Royal Grotesk at display (72pt) sizes. Léman supports extended Latin, including African and Vietnamese, as well as extended and localized Cyrillic. Each of Léman's 63 styles is available individually or together in a single-file variable font
Publication date | FW 2025 |
Design date | 2018-2023 |
Axes | Weight, optical size |
Number of styles | 63 |
Scripts supported | Cyrillic (68 languages), Latin (734 languages) |
Total glyphs | 2029 |
OpenType features | Stylistic alternates, localized forms, contextual alternates, discretionary ligatures, fractions, old-style figures, tabular figures, small capitals, case-sensitive forms |
Design, production, engineering | Jeremy Tribby |
Consultant, African | Denis Moyogo Jacquerye |
Consultant, Cyrillic | Maria Doreuli |
Consultant, Vietnamese | Donny Trương |
Kinzig is a heavy and narrow blackletter inspired by the expressionistic Fraktur styles of early 20th century Germany and their contemporary use especially in music. Heavy and mean, Kinzig disregards legibility even at display sizes, and contrasts a modern, digital sharpness against its painterly historical model, featuring marker-like overlaps, a compressed width, tall x-height, subtle waisting, and tight letterspacing
Publication date | FW 2025 |
Design date | 2020-2023 |
Design, production, engineering | Jeremy Tribby |
Number of styles | 1 |
Scripts supported | Latin |
OpenType features | Contextual alternates |
Rossi is a modern serif type family with roots in the Italian and Northern European artistic and typographic traditions of the 17th century. The family connects the mannerist forms of the Venetian school to the mechanical precision of the North, taking notes on proprtion, ligatures, and contextual alternates from Hendrik van der Keene, the Belgian punchcutter. With these roots in mind, but not in sight, a new type family was drawn without specific reference, first sketched with a broad-nib pen and then sculpted digitally. Rossi is sturdy and familiar with a modern sensibility and subtle charms, available in nine weights with extended Latin and extended Cyrillic script support
Publication date | TBD |
Design date | 2022-2024 |
Axes | Weight |
Number of styles | 9 |
Scripts supported | Cyrillic (54 languages), Latin (332 languages) |
Total glyphs | 1962 |
OpenType features | Stylistic alternates, localized forms, contextual alternates, discretionary ligatures, fractions, old-style figures, tabular figures, small capitals, case-sensitive forms |
Design, production, engineering | Jeremy Tribby |
Randonneur is a humanist sans that pairs traditional Roman brush capitals with angular details and playful lowercase proportions that pay homage to the typographic tradition of mid 20th century France
Publication date | TBD 2025 |
Design date | 2023 |
Axes | Weight |
Number of styles | 6 |
Scripts supported | Cyrillic, Latin |
Design, production, engineering | Jeremy Tribby |
Commissioned for use on digital and broadcast NBC and Telemundo properties, the Arthouse family consists of 25 styles
Client | NBCUniversal |
Axes | Weight, width, slant |
Number of styles | 25 |
Scripts supported | Latin |
Direction | Bruce Fallini |
Design, production, engineering | Jeremy Tribby |
Letterfitting | Igino Marini |